COLORFLOW
 Color Grading Plugin For DaVinci Resolve, Premiere Pro & After Effects

Cinematic color in three steps.

ColorFlow turns flat log footage into a finished, film-grade look - without node trees, scopes, or color theory.
Convert, pick a look, add the finish. That's the whole grade.

97 looks 26 log profiles One panel
LOG · FLAT COLORFLOW

Drag to compare — camera log vs. one ColorFlow look.

Works right inside DaVinci Resolve Premiere Pro After Effects macOS · GPU-accelerated
The workflow

From raw file to final look

Step through the grade — the same frame updates as you go, with the actual ColorFlow panel for each step beside it.

RAW LOG
Effects Library
Step 1 of 4

Load the file

Find ColorFlow in the effects library and drop it on your clip — one effect, one node, nothing to wire up. This flat log frame is where every grade starts.

Inside ColorFlow

The whole grade lives in one panel

One effect on one node. Convert at the top, pick a look in the middle, open a finishing group at the bottom — that's it.

DaVinci Resolve — ColorFlow
LOG · FLAT COLORFLOW
ColorFlow control panel

Drag the viewer — and that is the real ColorFlow panel on the right, doing the whole grade on a single node.

The look library

97 looks. Six worlds.

From clean commercial to faded film to deep underwater — hand-built look packs you can flip through live on your footage.

Look: Cinematic - Jungle

Try a pack

Click a pack to preview the grade. In ColorFlow, the same swap happens live on your clip.

97
cinematic looks
6
look packs
1
intensity slider
The finishing toolkit

The texture that sells the grade

A look gets you the color. These are the analog details that make footage feel shot on film — all in the same panel.

🌟

Bloom

Soft, filmic glow that blooms out of your highlights.

🔴

Halation

Warm red halo around bright edges — the classic film bleed.

🎞️

Grain

Organic film grain with adjustable size and strength.

Vignette

Draw the eye in with a shapeable, natural falloff.

🌫️

Film Density

Push contrast and richness like a denser film stock.

💨

Film Blur

Gentle softening for that dreamy, vintage-glass feel.

🩹

Film Damage

Dust, scratches and age for a true archival vibe.

🎨

Split Tone

Color your shadows and highlights independently.

🌀

Drift

Subtle hue drift for organic, alive-looking color.

Shoot anything

26 log profiles, 10 camera brands

From cinema cameras to drones and action cams. Decode curves and gamut matrices come straight from the manufacturer white papers — cross-checked against colour-science.org.

ARRI LogC
Sony S-Log2 · S-Log3
RED Log3G10 · RedLogFilm
Canon C-Log · C-Log2 · C-Log3
Panasonic V-Log
Blackmagic Film Gen 5
DJI D-Log · D-Log M
Fujifilm F-Log
Nikon N-Log
GoPro Protune Log

Includes every DJI body — Mavic 3 & 4 Pro, Air 3 / 3S, Mini, Osmo Pocket, Action & Nano — plus HLG. 26 profiles in all.

Why ColorFlow

Stop fighting the color page

The usual grade

  • Build a node tree, then remember what each node does
  • Hunt the right conversion LUT, hope the gamut is right
  • Drag LUTs from disk one at a time to audition them
  • Stack four plugins for grain, glow, halation, vignette
  • Read scopes you were never taught to read

With ColorFlow

  • One panel — convert, look and finish in order, top to bottom
  • Pick your camera; the conversion is handled correctly
  • Flip through 97 looks live with Prev / Next
  • Bloom, halation, grain, vignette & more built in
  • Just your eyes and an Intensity slider
Get ColorFlow

Your next grade takes three steps

One install. Works across DaVinci Resolve, Premiere Pro and After Effects.

LAUNCH PRICE
$49.99
One-time purchase · free updates
  • ColorFlow plugin for Resolve, Premiere & After Effects
  • All 97 looks across 6 packs
  • 26-profile log conversion across 10 camera brands
  • Full finishing toolkit — bloom, halation, grain & more
  • Use on all your machines
30-day money-back guarantee · Secure checkout
Questions

Good to know

Which apps does ColorFlow work in? +

ColorFlow runs in DaVinci Resolve, Adobe Premiere Pro and After Effects. It installs as a single GPU-accelerated plugin and shows up in your effects panel.

Do I need to know color grading? +

No. That is the point. Pick your camera, pick a look, and nudge a few sliders. You never have to touch a curve, a scope, or a node tree.

What cameras and log formats are supported? +

26 log profiles across 10 brands — ARRI LogC, Sony S-Log2/S-Log3, RED Log3G10 & RedLogFilm, Canon C-Log/C-Log2/C-Log3, Panasonic V-Log, Blackmagic Film Gen 5, Fujifilm F-Log, Nikon N-Log, GoPro and every DJI body. Conversions are built from the manufacturers' published curves.

Can I control how strong a look is? +

Yes — every look has an Intensity slider, so you can go from a whisper of color to a full cinematic push without leaving the panel.

Is it a one-time purchase? +

Yes. Buy it once, use it on your machines, and get updates as the look library grows.